Carol F. Creech, Artist & Maker

Connecting Art & Science for Kids – Scientific Illustration at Science Olympiad

Is it really July already?! This year has flown by. I was caught up in the usual whirlwind of work, school and family activities since January. However, I did get a chance to work on an art-related project in the form of a table at Science Olympiad this past June.

Science Olympiad, if you are not familiar, was created “in 1983 by Dr. Gerard J. Putz and Jack Cairns to increase interest and as an alternative to traditional science fairs and single-discipline tournaments. After a series of trials, Olympiads were held in the states of Michigan and Delaware. The Science Olympiad began to grow and now the Olympiad has members in all 50 states, totaling more than 13,500 actively participating K-12 schools.” (from the Washtenaw Elementary Science Olympiad (WESO) site.)

Here in Ann Arbor, Michigan, we are very fortunate to have the largest elementary Science Olympiad in the country (history of WESO.) Run entirely by volunteers, participation includes hundreds of students from public and private schools all over Washtenaw County and is held on a Saturday in May. This year, it happened to fall on the first Saturday in June.

So what does this have to do with art? Well, every year, there is a large room for what is called Open Events. These include science demonstrations of all sorts, from zoological specimens to circuit building, chemistry experiments, fossil examinations, owl pellet dissections and more! This is a place where the kids and their families can come learn and participate in fun science activities when they have down time before or after their competitions.

Open Events is one my favorite things each year and my girls love going to each table to see what activity they can do. As we walked around last year, I had an “ah-ha!” moment when I realized that this would be the perfect venue to talk to kids about the connection between art and science. As a member of the Guild of Natural Science Illustrators (GNSI), I knew I could put something useful, and hopefully engaging, together for the kids.

With the help of our head coach, I was connected with the volunteer coordinator for Open Events, Nirmala Rajaram. We had a great introductory meeting in January of this year, and I began putting my ideas together.

The first thing I did was contact some folks from the GNSI. Gail Guth, former Communications Director and longtime member, was instrumental in helping me not have to reinvent the wheel! She shared a terrific presentation with me that she created explaining scientific illustration, why it is necessary, and some great examples. She also put me in touch with MaryBeth Hinrichs, another GNSI colleague, who shared the efforts of the GNSI Education group about drawing exercises for classes on scientific illustration.

All of this information was crucial in helping me to construct a tri-fold poster board that I displayed at our table during Science Olympiad. I wanted to make it quickly readable since Open Events is a busy area with a lot of folks moving through, but also make sure that the information included was useful.

As you can see in the picture above, I was able to get a selection of informational handouts from GNSI. These included a terrific Careers in Scientific Illustration booklet and GNSI calling cards with information about the organization. I was happy that many folks took those home!

In addition to information, I wanted to have hands-on activities for kids or adults to do when they came to our table. MaryBeth’s information included a great blind-contour exercise, so I printed up some instructions for that. I also had a brief perspective exercise with plexi-glass boards and dry erase markers to try. Fortunately, Science Olympiad had a small budget for supplies, so I was able to request a ream of plain white paper, some colored pencils, a range of graphite pencils (to demonstrate different hardnesses and lines/shading that can be made), technical pens, and some plexi boards and dry erase markers. As for subjects to draw, I brought a number of seashells, pine cones, several flowering plants, and other natural items that the kids could draw. The most popular was my bobcat skull!

As June approached, I began reaching out to some local GNSI members and also some parent volunteers from our school to see if they would be available to help me staff the table throughout the day. Open Events runs from approximately 7:30 a.m. (set-up) until 6:30 p.m., and I also had coaching duties for my 2nd grade team, so I definitely needed some assistance! My husband, Mike, along with two parent volunteers (thanks, Mary Jane and April!) were able to help throughout the morning. GNSI member Patricia Ferrer Beals was also able to drop off some great sketching subjects before she had to tend to her coaching duties. Fortunately, I also had another GNSI member, Kristina Spitzner, who came for a good part of the day. She brought her portfolio and also some sketchbooks and finished pieces that we were able to put on display. I added some of my sketchbooks from the exchanges I have participated in over the last few years, and some of my sketches and studies to show the kids that work does not start out perfect! The finishing touch was a beautiful banner with the GNSI logo that we put on the front of the table. We were armed with lots of good information, art supplies and examples, and ready for kids to come.

And come, they did! We had originally set up three chairs in front of our table for kids to sit down and draw. Often, we had four or five kids at a time! We put them with paper and pencils wherever they would fit. Part of this was due to the fact that events let out at the same time and we would get a rush of kids all at once, but I think that the kids were excited to take a look at our subjects and drawings and participate in the process.

We had a lot of great questions and great art being made by the kids. My idea of drawing exercises quickly went by the wayside as the kids just wanted to dive in with paper and a cool seashell or the bobcat skull and start drawing! That was totally fine, and we encouraged them to try some of the other materials like the technical pens to make different types of marks. One thing I had not anticipated was that many kids immediately began tracing or even doing relief rubbings of the seashells. It was a clever way to get a quick start!

Overall, it was a great success. We had a busy day with lots of interest and lots of drawing! I was nearly out of career booklets and even had some inquiries from adults about teaching classes on scientific illustration to kids. I am hoping that we can continue to participate at Science Olympiad and continue to show the connections between art, science and visual communication present in the minds of these kids.

Have you had an opportunity to bring art and science together for an audience? I would love to hear about it!

Stay tuned for an upcoming blog post about the GNSI Conference, which was held in Asheville, NC at the end of June. It was my first time attending and it was terrific!

Wrapping up 2016!

Happy New Year’s Eve! 2016 has almost drawn to a close.

I have been busy with a variety of art projects since I last posted in July. House portraits, jewelry and journals!

As the beginning of the school year approached, things became busy, but once the kids were in school it allowed me the chance to complete a house portrait that I had been working on for some time.

I absolutely love the character of this house and it was great fun to draw. It did have some challenges, though! The overall size of the finished portrait was approx. 8 x 10 inches. A typical size, but for the details on this home, there was not much room for error! One slightly crooked line and the brick work or roof shingles would look off-kilter. There was also a good bit of foliage and a section of fencing that added to the complexity. More than once, I referred to my favorite house portrait book for tips on the roof shingles and brickwork, Helen Haberstroh’s “Painting Portraits of Homes in Pen, Ink & Watercolor.”

After puzzling out the patterns and completing the line work, I had one last layer of detail to add – color! This is the first house portrait that I have done in color. I absolutely love how it turned out. I used my trusty Faber-Castell Polychromos pencils. These are oil-based and not prone to the wax bloom that you get with wax-based pencils. They also lay color very smoothly onto the hot-press watercolor paper that I used.

Waiting in the wings after the color house portrait was one more house portrait commission. This one was for a repeat client whose family member had recently acquired a vacation condo. After discussing options with my client and viewing photos of the home, we agreed that both the front and back of the home should be featured in the finished portrait.

I suggested a side-by-side layout with a single mat cut into two windows. The home itself was fairly straightforward. There were some really nice details, including the porch railings and the dark trim. I like how the dual-view came together for this one.

With both portraits completed, I settled in to mid-autumn with an eye towards the upcoming holidays. I had toyed with the idea of doing a holiday market and thought I might skip it this year. Then I saw that one of the most popular local markets, Kerrytown KindleFest, was still taking applicants, so I decided to apply.

Happily, I was accepted and began thinking of how I wanted to fill out my offerings. I had a nice selection of pendants, necklaces and cards, so I focused on creating some new mini-journals, a simpler bookmark design, and a revised wrap bracelet style.

I managed to pull together a good selection and set up a festive table for the market. It was a cold night, but very crowded event! I was pleased to do a good evening’s business and surprised at the popularity of the mini-journals. I really enjoy making those and plan to expand my offerings in the new year (hint, hint – stay tuned for a future post on this!)

It has been a productive and varied year of creativity here at CCreech Studio. I have some studio workspace updates in the works as well as more to tell you about my drawing efforts, but will save those for separate posts.

How did your creative efforts fair this year? I would love to hear about them!

Sketchbook Exchange – Finishing with a Peony!

The second round of the international sketchbook exchange has finished up! This round only had 7 participants, so it went a bit faster.

I had much inspiration to choose from with spring blooming all around me. However, I knew that when I went for our annual walk through the Nichols Arboretum Peony Garden at peak bloom that I must attempt one of these gorgeous blossoms for my last entry.

The peony garden is a real treat to have here in town. It is the largest collection of heirloom peonies in North America, containing over 270 historic varieties (cultivars) from the 19th and early 20th century. They are arranged in 27 beds with each full bed containing 30 peonies, and when filled to capacity the garden holds nearly 800 peonies and up to 10,000 flowers at peak bloom. (source: About the Garden.)

I was fortunate to see the blooms at peak and took many reference photos! In addition to the wide variety of blooms, I really enjoy the buds. Round as a golf ball and bursting with color, I knew that I wanted to include both in my drawing.

I did a rough sketch in pencil, using my 4H for light lines. Then I went over it with ink. This time, I used a new pen I purchased recently. It had read about it on a nature journaling group online. This is the Platinum Carbon Desk Fountain Pen, Super Fine. It has cartridges for ink, so it is clean and easy to use. It also has a nice feel in the hand and you can get a bit more variance in line width. I really enjoyed using it and look forward to doing more with it.

Finally, to add color, I used my Faber-Castell Polychromos pencils. I puzzled a bit about how to render the delicate pink blossom. I layered Pink Madder, Pink Carmine, and Rose Carmine, which worked well. However, the shadow areas were a bit tougher. I tried a bit of Cold Grey II, but it was too dull. Finally, I realized that a light layer of Manganese Violet was perfect. It gave a bit more life and depth to the shadows without dulling. I used that throughout the blossom for shadow areas.

I am very glad to have been able to participate in another round of sketchbooks. However, I am looking forward to putting some of my work in my own sketchbook moving forward! A recent trip to South Carolina yielded more great reference photos and fun finds, so I have plenty of material for ideas. Stay tuned for a future post on that!